EXHIBITION

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Short exhibition guide

AGENTUR/AGENCY (BE)
Daniel Garcia Andújar (ES)
Walter Benjamin (US)
Pierre Bismuth (FR)
Christian von Borries (DE)
Christophe Bruno (FR)
Claire Chanel & Scary Sherman (US)
Lloyd Dunn (US/CZ)
Electroboutique (Alexei Shulgin
& Aristarkh Chernyshev) (RU)

Fred Fröhlich (DE)
Nate Harrison (US)
John Heartfield (DE)
Michael Iber (DE)
Laibach/Novi kolektivizem (SI)
Kembrew McLeod (US)
likefashion.com (CN)
Sebastian Lütgert (DE)
Monochrom (AT)
Negativland and Tim Maloney (US)
Der Plan (DE)
Ramon & Pedro (CH)
David Rice (US)
Ines Schaber (DE)
Cornelia Sollfrank (DE)
Stay Free (US)
Jason Torchinsky (US)
UBERMORGEN.COM
& Alessandro Ludovico
& Paolo Cirio (CH/AT/IT)

a.o.

Anna Kournikova Deleted By Memeright Trusted System - Art in the Age of Intellectual Property

PHOENIX Halle Dortmund | 07/19/2008 - 10/19/2008

‘You can’t use it without my permission ... I’m gonna sue your ass!’ shouts Disney’s Little Mermaid with the angry voice of a copyright lawyer in the video Gimme the Mermaid (4:49 min., 2000).

The video by Negativland and Tim Maloney, situated at the exhibition entrance, is one of twenty eight works included in Anna Kournikova Deleted By Memeright Trusted System - Art in the Age of Intellectual Property, an exhibition presented by Hartware MedienKunstVerein (HMKV). It is part of the project "Work 2.0 – Copyright and Creative Work in the Digital Age". In the framework of "Work 2.0", HMKV – together with the Berlin-based collaborative partner iRights.info/mikro e.V. – explores the relationships between creative work, intellectual property law, and technology.

Catalogue as PDF (6 MB)
Poster
Invitation cover back
Flyer coverback
Short exhibition guide
Press releases
--> Conference "Creative Work and Copyright" (Sep 26 - 28, 2008)

About the exhibition
How does the changing notion of (creative) work relate to ‘intellectual property’? Today we live in a post-industrial society where the goods being produced are no longer material (like steel, coal, etc.), but immaterial. The Ruhr Area, with its vast deindustrialised landscape, paradigmatically stands for this transition from the Industrial Age to the information or knowledge society. However, opposite to material goods, immaterial goods such as knowledge and information can be reproduced without loss. Therefore, in order to function in a value-added chain, the distribution of these immaterial goods has to be restricted. This is effectuated with the aid of intellectual property (IP) law, namely copyright, patent, and trademark law.

David Rice’s perfidious short story ‘Anna Kournikova Deleted By Memeright Trusted System’ – from which curators Inke Arns and Francis Hunger have borrowed the exhibition title – deals with the concept of intellectual property: In 2067 stars – such as ex-tennis player Anna Kournikova – have their ‘brand’ protected by a satellite-based system that identifies unlicensed look-alikes and eliminates them via a strong laser beam. During a trip to the Pacific Rim, not officially cleared, the ‘real’ Anna Kournikova is identified as an imitation of herself and is consequently eliminated by the system.

The exhibition Anna Kournikova Deleted By Memeright Trusted System – Art in the Age of Intellectual Property mounted on the 2,200 square metres of floor space in the PHOENIX Halle on the former site of Phoenix-West steelworks in Dortmund inquires into the implications for art and music that appropriates, samples and cites existing material in an era of copyright (or intellectual property) law increasingly favouring exclusive exploitation rights as opposed to public entitlement to usage. In contrast to the assertion of the copyrights industry that the expansion of copyright (for whom?) signifies more creativity, the exhibition posits the thesis that creativity is, and continues to be, possible only if artists are in a position to create new work with recourse to existing material. Appropriating art that speaks about culture by referring to cultural artefacts and deploying found aesthetic material will only be able to continue to come into being if in the future too it is assured that sufficient allowance is made for the democratic rights of participation (of consumers, but of originators, too!) alongside the justified economic interests of the originators and exploiters.

If the development of copyright and other intellectual property rights continues along the present lines, it will become questionable whether sufficient consideration is given to general participation. Tightened up in the interest of the exploiting parties, copyright law would turn against the freedom of art and degenerate into an effective instrument for suppressing innovation. It would become increasingly difficult to talk about culture by using images, logos or sound fragments of precisely that culture. A foretaste of such a development is already given by the vast reduction in the usage of sampling in hip hop since the legal departments of major labels have started to aggressively pursue the unlicensed usage of samples by musicians signed to other labels.

The exhibition Anna Kournikova Deleted By Memeright Trusted System – Art in the Age of Intellectual Property presents contemporary conceptual, net, software and video art projects which critically yet at the same time playfully reflect on the collision of technological development, digital rights management, economy and cultural work.

The 28 artists represented in this exhibition explore the question of art in the age of mechanical reproduction positioning itself differently in a post-Fordist era permeated with digital networks than in Fordist, analogue times to which Walter Benjamin has referred. Artistic techniques like cut-up, sampling, détournement, appropriation, copying, remixing, plagiarism, and repetition are employed.

Participating artists: AGENTUR/AGENCY (BE). Daniel Garcia Andújar (ES), Walter Benjamin (US), Pierre Bismuth (FR), Christian von Borries (DE), Christophe Bruno (FR), Claire Chanel & Scary Sherman (US), Lloyd Dunn (US/CZ), Electroboutique (Alexei Shulgin & Aristarkh Chernyshev) (RU), Fred Fröhlich (DE), Nate Harrison (US), John Heartfield (DE), Michael Iber (DE), Laibach/Novi kolektivizem (SI), Kembrew McLeod (US), LIKEFASHION.COM (CN), Sebastian Lütgert (DE), Monochrom (AT), Negativland and Tim Maloney (US), Der Plan (DE), Ramon & Pedro (CH), David Rice (US), Ines Schaber (DE), Cornelia Sollfrank (DE), Stay Free (US), Jason Torchinsky (US), UBERMORGEN.COM & Alessandro Ludovico & Paolo Cirio (CH/AT/IT), a.o.

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Catalogue

A comprehensive, bilingual catalogue documenting the exhibition in the PHOENIX Halle Dortmund will be published in early September 2008 (German/English, with contributions by Inke Arns, Martin Conrads, Florian Cramer, Francis Hunger and a preface by Susanne Ackers and Volker Grassmuck).

Catalogue essay by Inke Arns (PDF, 112 KB): Use = Sue. On the Freedom of Art in the Age of ‘Intellectual Property’


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Events

Friday / July 18, 2008 / 19:00
Opening of the exhibition Anna Kournikova Deleted by Memeright Trusted System — Art in the Age of Intellectual Property. From 21:00 Christian von Borries plays music made from other music

Friday / September 26, 2008 / 20:00
Christian von Borries - we play what we want
A live music event involving students from Dortmund’s Music School, 2008 (premiere)

September 26 - 28, 2008
Creative Work and Copyright
Conference in the framework of the project
Work 2.0 - Copyright and Creative Work in the Digital Age


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Exhibition venues and Opening hours

PHOENIX Halle Dortmund
Hochofenstraße / Ecke Rombergstraße
Dortmund-Hörde
Thu + Fri 11:00— 22:00
Sat + Sun 11:00— 20:00
www.hmkv.de

Heimat Design Shop
Kleppingstraße 43
Dortmund-Mitte
Mon — Fri 10:00 —19:00
Sat 10:00 —18:00
www.heimatdesign.de

Admission:
PHOENIX Halle Dortmund
4 € / 2 € reduced


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Imprint

Anna Kournikova Deleted by Memeright Trusted System —Art in the Age of Intellectual Property

Exhibition in the framework of Work 2.0 - Copyright and Creative Work in the Digital Age

Hartware MedienKunstVerein
PHOENIX Halle Dortmund
19 July — 19 October 2008
www.hmkv.de

Curated by:
Dr. Inke Arns, Artistic Director of HMKV
Francis Hunger, Junior Curator of HMKV

Managing Director HMKV:
Susanne Ackers

Organisation/Production:
Kathleen Blümel, Francis Hunger

Technical Director/Exhibition Architecture:
Uwe Gorski

Editing of the catalogue and of the short guide:
Anna Paterok, Berlin

Design:
labor b

Conference Organisation:
Andrea Eichardt

Public Relations:
Roland Kentrup, ZK Medienagentur, Dortmund


* * *

The exhibition Anna Kournikova Deleted By Memeright Trusted System – Art in the Age of Intellectual Property takes place in the frame of Work 2.0 — Copyright and Creative Work in the Digital Age.

Work 2.0 — Copyright and Creative Work in the Digital Age is a project by

Hartware MedienKunstVerein, Dortmund, and
iRights.info, Berlin

The project Work 2.0 deals with the relation between creative work, copyright and technology. It consists of three parts: The information portal on copyright, iRights.info, researches new forms of labour relations in the most important copyright branches and runs a blog and a forum on this topic. This part of the project is developed in cooperation with AG Informatik in Bildung und Gesellschaft, Institut für Informatik der Humboldt-Universität zu Berlin and receives funding by the Bundesministerium für Bildung und Forschung in the framework of Innovations- und Technikanalyse. The exhibition by Hartware MedienKunstVerein provides a survey of artistic strategies dealing with the new frameworks in the areas of work and property. Finally, the symposium Creative Work and Copyright, which is sponsored by the Federal Center for Civic Education, will offer space for discussion the results of the collaborative project.


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PREVIEW
Creative Work and Copyright
A symposium by iRights.info, Berlin, and Hartware MedienKunstVerein, Dortmund
in the PHOENI X Halle Dortmund
Friday, 26 September — Sunday, 28 September 2008

Does copyright protect the author or the exploiter? How do authors work — with public grants, in creative industries, or in happy and willing self-exploitation? Remixing is illegal yet extremely common — how can the interests of the creatives and re-creatives be reconciled? Pressing questions from the analysis of new labour conditions will be explored not only in talks and panel discussions but also in the form of performances, films, concerts, and a tour of the exhibition. The symposium is sponsored by the Federal Centre for Civic Education.


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Arbeit 2.0 -- Copyright and creative work in the Digital Age
is a project by:
Hartware MedienKunstVerein
iRights.info

Supporting organisations:
mikro e.V., Berlin
AG Informatik in Bildung und Gesellschaft,
Institut für Informatik der Humboldt-Universität zu Berlin

Funded by:

Kulturstiftung des Bundes im Rahmen von "Arbeit in Zukunft"
Kunststiftung NRW
Der Ministerpräsident des Landes Nordrhein-Westfalen
Bundeszentrale für politische Bildung
Kulturbüro Stadt Dortmund
dortmund-project
NRW Kultursekretariat Wuppertal
Kulturwerk der VG-BILD-KUNST GmbH, Bonn
Hans-Böckler-Stiftung
ver.di

Cooperations:
Heimatdesign Magazin/ Shop/ Agentur/
Gravis
Medien Kunst Raum Unna

Media partner:
Heinz





EVENTS

GALLERY

Picture Gallery